Forget all the rumors about Myspace being dead: until we find a real replacement, Myspace is still the go-to site for fans and bands to connect. Unfortunately we have all seen our share of ugly myspace pages…you know, the ones where people try to cram EVERYTHING into a single page – AND make it flash, ouch!

http://www.myspace.com/beautifulsqaurdon Not only was this Myspace showcased on a popular Zefrank post called I know me, some ugly Myspace but it was pretty easy to locate in most social bookmarking sites as well! It is so unbelievably ugly that one can consider that this was the intent, but really – why is having a very ugly Myspace an important goal for you?!

BandMark recommends Myspace to our clients – it’s a powerful tool for sharing your music and your tour dates with potential fans. Just take a moment to look at your Myspace and ask yourself these TOUGH questions:

Is my Myspace hard to read?

Glitter text and flashing gifs make your text difficult to decipher. Too much stuff on the page can overwhelm your fans. If they can’t find your tour dates they won’t show up at your club show! Decide what you want to showcase and keep it simple. Make sure your font (style and color) is readable against your background image.

Is  my Myspace slow to load?

Animations and movies take longer to load – and some of those crazy backgrounds can take FOREVER! Your fans may have slower access than you do (some people still have dialup, right?). If a page takes too long to load, impatient fans will not wait. Swap out that crazy background for something simpler. If you have a lot of video content try showcasing different videos every month.

Is my Myspace cross-browser compatible?

You don’t need to get super technical to insure your site works for most of your fans. IE and Firefox are the most popular browsers, but Google Chrome and Safari are close behind. Ask your friends and family what browser they use, and get some volunteers to check your page. Try logging in from public libraries and internet cafes to see how your site works.

Is my Myspace ugly?

Ok, so, this is more of a judgement call, but seriously: after spending so much time on your site layout, it is probably tough for you to see it critically. Send your link to some friends whose style you like, and ask for their (honest) feedback. You don’t necessarily need to make all the changes they recommend, but if more than one person mentions a particular issue, you should really consider making a change.

Myspace is a great way to get the word out about your band, your shows, your latest EP and your videos. Answering these questions will help you keep your MESSAGE on top of the all the noise.


O.k been reading up a ton on the music industry predictions for 2010 and have come up with a few, if I dare take a crack at this and by all means feel free to share your predictions or POV in the comments :) Thanks to the resources that have helped some of my research: Wired.com, Mashable.com, Headliner.fm, Alexa.com, Forrester.com

10 BandMark  Music Industry predictions for 2010:

``I see... me and David Bowie having sushi! but more importantly...``

``I see... me and David Bowie having sushi! but more importantly...``

1. Venture capitalists and big named brands will further finance musicians

As record labels merge and swallow up partners, (Warner+EMI? Like when Polygram merged with Universal in the 80`s) marketing budgets will be slashed once again so the once 100k budget which got cut int0 50k last year, will likely be cut again to 25k. This wont be as tragic as it seems because big named brands and the film industry will gladly spot these artists with some nice budgets for appearances and brand vanity and  smaller artists will opt for their own investors. This will force bands to be doing a lot of hands on marketing to stand out in what has become a huge sea of new music and very tough competition.

2. Fan clubs and street teams will come together as direct-to-fan platforms evolve

As a music fan, you can sign up to newsletters, fan-clubs, VIP offers, the record label store, Street teams, mobile alerts and the list goes on. Well with more and more artists selling directly to their fans, it is inevitable that a solution emerges that handles everything. Fan logs into the ultimate Direct-to-Fan club and specifies purchasing habits, street team activities, news alert delivery options etc… and everything after than is one cleverly marketed click away where fans interacts with band offerings, demand new versions and get rewarded with prime goodies like shout outs on stage for sharing content. I see the monthly and yearly subscription fee model popularize itself in these clubs as well as in on-line music stores.

3. Artists will make more music on demand

With more and more bonds being built via web 2.0 technologies, the artist and fan relationship will continue to grow and I predict that fans will start to create their own mini EPs by directing the artist to get re-mixed by producers they like, release acoustic and live versions and even integrate raw studio cuts and include tracks from talented fans  as well. A sort of Choose-Your-Own-Audio venture with all the emerging remix and interactive technologies at the forefront.  I`d like to see these mini EPs come in a digital bundle, return of the 45 vinyl and have basically 3 songs: fan made re-mix, fan demanded acoustic version and raw studio cut.

4. Music will be seen less on a CD rack and more in the clouds…

CD sales will continue their steady decline and the music population will turn into digital and vinyl heads for the most part.  Watch as vinyl reach out to the hardcore fans who want the immediacy of digital AND the physical fix. Subscription based streaming music stores like Grooveshark and Spotify will become a serious business model for labels to consider. Grooveshark`s traffic has a really healthy up-and-to-the-right metric line and really if you think about it – it`s the perfect compromise for the majority of the digital music community.  Faster than utorrent, cheaper than Itunes and trendier than Twilight, these subscription based stream stores are clearly making their mark in the music market place.

5. An artist`s database will turn into a fairly measurable currency with social metrics

The more time we spend on-line, the more valuable a musician`s database will become (users are expected to be spending EVEN more time in 2010).  All artists will experience an increase of virtual fans simply by putting themselves out there but also the clever musician, management and label will be harvesting and analyzing fan data with the new social metrics coming out.  The simple: enter email, tweet, share this for a track models will only amplify this virtual currency.

6. Interactive touch screens will start showing up at concerts

I don’t mean the kind you see at music festivals with SMS streams and the next band info with sponsors and ads. I mean a truly interactive experience where one can sign up to fan clubs,  shop,  join a contest request shout outs (I know I’m obsessed with shout outs and honestly think it’s the best way to reward and keep a fan loyal). In my perfect vision of the future, one that my inner geek truly adores, the interactive touch screens are so paper thin and huge and now after having seen AVATAR they are probably 3D as well!

7. MySpace will offer musicians a lot more options and will not go away

I was honestly laughing when respectable journalists were writing about “The Death of MySpace”  ”Facebook will take over MySpace”. Look, no matter how much you have a hate on for Tom and no matter how fk* irritating that damn CSS is to code around – MySpace is still the #1 place online that music fans go to check out an artist’s music. If you don’t care about all that and you are just looking at the numbers, well their actual traffic has been pretty stable for the past 3 months (Oct-o9 to Dec-09). So although things look promising, we`ll have to check the numbers again in the next 3 months…

“Indie musicians now have a new way to make money online by adding their songs directly to MySpace Music in exchange for sharing in the ad revenue with the service.” Original post by Elliot Van Buskirk @ Wired.com click MORE for further information.

8. Facebook will release a highly customizable new version

I have to say that I am not impressed with the rate in which Face book releases new versions or fixes bugs… the only reason why I use Facebook (and I likely speak for most)  is that everyone is on it and I really have little choice.  At least MySpace has an excuse for it’s bugginess - it was built in the dinosaur era with some lame programming language.  I am hoping that with a huge fan page community, Facebook steps up to the plate and actually pimps up the code a bit so that one can customize way more and turn their fan page into highly interactive music fan playgrounds of stuff to do, purchase and without error messages with apps not working. Recently, either the ilike app had a bug in it or the steps to add it to your fan page were totally convoluted cause almost every music client of mine was calling me about it!  So Crackbook, I’m unliking you a bit until you impress me with a new version…

9. More street stars like G-Funk RED will be discovered

I think after over a decade of really wimpy commercial rap, hip hop and urban beats it’s time to get back to the simple stories and sounds of the untrained street songs BEFORE the musician has someone else writing their rhymes and picking their outfits. Who says teenagers need cheesy synthesized effects and big studio sound to make them happy? O.K well they sort of do BUT unlike our grandparents, kids are growing up on decades of classical, blues, rock, electronic and are totally into experiencing new stuff – although there will always be at the perfect age for pop. I was lucky, I had an older brother making sure between Madonna and Wham I had Led Belly, Chet Baker, Stevie Ray Vaughan, Bob Marley, Iggy Pop…  well tell u what, these kids have a realllly big brother called the internet allowing them to discover more music than ever before subjecting people like G-funk RED and others to get international exposure from sites like YouTube.

10. America will have a full year of discovering more oddities like Susan Boyle

It really doesn’t take a genius to figure out that after Susan Boyle, America’s Got Talent is going to experience both an increase in unusual auditions from older and oddball performers but will also be prioritizing them especially after seeing Susan`s popularity skyrocket and set new standards for discovery.


Just recently, the lead singer of the Dresden Dolls Amanda Palmer made $11,000 on Twitter in just 2 hours connecting with fans on and off line.

Through her driving personality, she has developed a very impressive fan base on her blog, MySpace page (75,000 friends), Facebook fan page (20,000 fans) and Twitter feed (40,000 followers).

Some highlights of the discussion

“Being a touring musician means meeting fans,” Amanda says. “I go out and meet fans after every gig. It’s important to make contact in real life and not just online in social media like Twitter. If you don’t meet fans in real life too, then you’re a fraud. If you’re not comfortable getting into the sweat with them and talking with people at shows, then how can you do it successfully online? I love connecting with fans. Speaking to people at the merchandise table after the show is great. I can stay there forever.”    Original web source from quote

Amanda frequently uses Twitter to bring together groups of fans quickly and spontaneously when she is on the road. She tweeted a secret gig in LA one morning and about 350 fans showed up five hours later at a warehouse space where she played piano.

How did Amanda Palmer make $11,000 on Twitter in two hours

If you have a loyal following on Twitter it can become an incredibly powerful tool to reach your goals. It’s a great tool to express an idea, to get people’s opinions, to research a problem, or even to make some money. “The great thing about Twitter is that the minute I started using it, I realized the possibilities are endless,” Amanda says. She proved it one Friday night.

“I tweeted as a joke that I was all alone, again, on a Friday night at my computer, like a loser,” Amanda says. “Other people started chiming in and we were all losers. One of my friends called it a virtual flash mob and all of a sudden there were a thousand people hanging out and following what was going on, the dialog between the fans. And we started a faux organization called The Losers of Friday Night on their Computers. We started making demands of the government like no tax on vodka, government issued sweatpants, free pizza, anything you could possibly need to be a loser on Friday night at your computer. And it was just really funny. It felt like a little piece of loser anarchy on Twitter.”

As people were communicating, someone suggested the group should make a T-shirt. So without any planning, Palmer said “sure let’s do it,” and used a Sharpie to make a T-shirt design. Someone suggested the slogan DON’T STAND UP FOR WHAT’S RIGHT, STAY IN FOR WHAT’S WRONG. Palmer’s Web marketing company was able to create a quickie site (which went live in just half an hour), and offered the T-shirts for sale at $25 each.

The Losers group bought 200 T-shirts that night and several hundred more were sold the next day (after Palmer blogged about it). The total take made on Twitter over just two hours was $11,000.

Not many people can get a thousand people to gather on a Friday night and fewer still can then sell something to the group like Palmer did. But that’s not the real point here. There’s no doubt that Twitter is an increasingly important way for people to communicate and organizations are using it in very clever ways to benefit their business and themselves.


It was big news last year when someone discovered that a software called TuneBoom Pro was being utilised by music labels and musicians to artificially increase the number of plays for their songs on MySpace. The site was reported to MySpace administrators and it has since disappeared.

Bands and labels wanting to falsify their number of MySpace plays still have plenty of other ways to manipulate their play counts. We know of several other sites providing the same type of service. (We wouldn’t encourage them so if you are looking for references don’t count on us!)

So what’s the matter with falsely increasing MySpace plays? If everyone else is doing it, you find yourself almost being forced to — just like Olympic athletes and steroids. The sad thing is MySpace will probably never be able to eradicate all these play increase softwares, somewhat like how the International Olympic Committee will never be able to insure athletes never use steroids or other types of drugs.

What this mean is we’ll just have to take high plays on an artist’s site with a grain of salt, and realise that this does not necessarily mean they are actually popular. And you can expand this to the number of Youtube views a video has, and the number of friends on someone’s Facebook account.

Beware of fakes!smN3qE


The Social Media Marketing world is a large part of the web and knowing how much time to invest on which sites can be a grueling task for musicians. Thankfully, BandMark has done the research for ya! Here are the top 10 Social Platforms to be on in 2009 for your band and how often you need to re-fresh the content for each:

  1. MySpace – Still #1 for musicians  -requires weekly bulletins and updates
  2. TWITTER -Fastest growing micro blogger -requires 5 TWEETS daily
  3. Face book -Best way to promote a local gig -requires 1 Daily update
  4. YouTube -Still the largest video share shite -Requires monthly updates
  5. LASTfm -Still the most popular  indie hangout -Requires monthly updates
  6. Flikr -Largest place to share photos -Requires monthly updates
  7. SLIDE -Largest place to share slide shows -As needed
  8. Qik -Live video streams of your event via mobile  -As needed
  9. LinkedIn – Still the best place to shmooze labels and agents -Monthly
  10. Imeem – A cross between LastFm and Ilike -Monthly